Pancakes, Polyrhythms, and Presence: NNAMDÏ’s Journey from Basement Shows to Collector Grails
Photo Credit: Sooper Records
You slip a record from its inner sleeve; the needle settles, and NNAMDÏ’s skittering guitar figures bloom across the room.
That instant glide, from Chicago basement gigs to supporting Wilco in a packed pavilion, captures a decade of restless momentum behind multi-instrumentalist Nnamdi Ogbonnaya, better known as NNAMDÏ. (loudhailermagazine.com, en.wikipedia.org)
The Leap from Pancakes to Pavilions
Raised in Lansing, Illinois, and armed with an electrical engineering degree, NNAMDÏ booked DIY shows where he flipped pancakes for touring bands before class the next morning. (kexp.org, en.wikipedia.org)
That hospitality morphed into Sooper Records, the artist run imprint he co founded in 2016 to keep complete creative control. (kexp.org, en.wikipedia.org)
The label’s second full length, DROOL (2017), landed on Bandcamp’s year end best of lists and pushed him onto national tours. (daily.bandcamp.com) Pandemic isolation did not slow him: 2020’s BRAT wrestled with purpose amid chaos and earned an NPR Weekend Edition interview that spotlighted his genre agnostic method. (npr.org)
A Sculptural Sound
NNAMDÏ stitches polyrhythmic math rock, gospel bright hooks and trap snap drums into songs that feel both heady and hook forward, he cites J Dilla swing, Nigerian highlife, and Tera Melos tap guitar wizardry as equal guides. (kexp.org, kexp.org)
That fusion tightens on Please Have a Seat (2022), his Secretly Canadian debut tracked almost entirely alone in his Chicago basement studio. (pitchfork.com)
Pitchfork called it an exercise in being present, an album that invites you to sit still even as its time signatures somersault. (pitchfork.com)
Live Rituals
If the records sprawl, the stage show sprints: he hops from drum kit to MPC to guitar mid set, cracking stand up grade banter between beat switches. (loudhailermagazine.com, kexp.org)
When he opened Wilco and Sleater Kinney’s 2021 hometown finale, reviewers praised his “rubber band energy” warming ten thousand fans in Millennium Park. (loudhailermagazine.com)
Collector’s Corner
First press vinyl variants have become hot commodities. The Oak Resin mix of Please Have a Seat (1,000 copies) now lists on Discogs from $23 and climbing, outpacing retail within two years.
(discogs.com) Earlier grails trade even higher, the Orange Cream swirl edition of DROOL appears only sporadically, with recent asks in the mid $30 range, nearly double its 2017 shelf price (discogs.com)
Spin these and you will notice textural deadwax etchings and a runout groove that lingers just long enough to savor the surface noise.
Why It Matters
You collect not just a record but a testament to possibility, a first generation Nigerian American flips basement pancakes, engineers a self released catalog, then headlines indie charts and amphitheatres without sanding off the weird edges that made local ears perk up.
We keep these pressings because they remind us that curiosity can be communal; every variant, every groove, extends the invitation to sit, listen, and stay present together.